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Doo Wop
Comment:
Back in the ’50s, sharp young cats in New York, Philly, and D.C. discovered that joining voices on city street corners, or in the readymade echo chambers of tenement stairways and high-school bathrooms, made their cries of love, lust, and other teen dramas sound like choirs of urban angels. Pompadour’d powerhouses like the Five Satins, the Del Vikings, and the Marcels seemed heaven-sent to a young America screaming for a sound to call its own.