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Covers - The World of Ray Charles
Comment:
Trying merely to cover one of Ray's songs is just plain pointless: the man's style was as distinctive as a fingerprint. So if you're gonna step to the mic, don't imitate, [i]innovate[/i]. And that's just what folks have done — and keep doing — for more than half-a-century now. Even before Elvis Presley became the swivel-hipped teen idol who revolutionized pop culture, he raved up Ray's "I Got A Woman" in a primordial rockabilly romp. Joe Cocker (and two dozen or so "Mad Dogs and Englishmen") howl and smolder through "Let's Go Get Stoned (Live)," sloppy as a big, wet, drunken kiss . . . and nearly as much fun. A flat-broke Natalie Cole is flat-out brilliant, going saucy instead of sad sack, in her defiant take on "Busted." And the late Eva Cassidy shimmies her way around a slinky jazzification of "Hallelujah I Love Him So," cool as a pitcher of mint juleps. But don't stop there — from Stevie Wonder to Carly Simon, from Etta James to Michael Bublé, artists of every shape, size, and sound turn to Ray for Brotherly inspiration.