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Roots & Influences - The World of Ray Charles
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Country, jazz, pop, blues . . . all the music Ray grew up on used to be segregated — like the rest of America — until he began blurring lines and breaking barriers. How much did jazz legend Art Tatum influence a young Ray Charles? "Even later, when I got fairly good at the piano," said Ray, "I knew that I couldn't even carry Art Tatum's (slop) bucket." Tatum's Mach 3 rocket blast through "How High The Moon" is exceeded only by his genius — there's that word again — at improvisation. Nat "King" Cole jumps the gap between jazz and pop in "Sweet Lorraine," pointing the way toward Charles Brown's bourbon-smooth performance in "Drifting Blues." Prissy sophisticate Ella Fitzgerald plays hard-to-get with suave hound dog Louis Jordan in "Baby It's Cold Outside" (later a hit for Ray with Betty Carter). And in the honky-tonk heartbreak of "Half as Much," country icon Hank Williams two-steps his way to #2 in a hit that Ray would rebuild from the ground up on [i]Modern Sounds in Country and Western Music[/i]. From Billie Holiday to T-Bone Walker, we've got the key artists and essential tracks that helped turn a blind boy from Georgia into a legend all over the world.