Artist	Song
The Jam	In the Crowd
from All Mod Cons (1997)
The Jam	Life from a Window
from This Is the Modern World (1997)
The Jam	Liza Radley
from The Sound of The Jam (2003)
The Jam	Pretty Green
from Sound Affects (Remastered) (1997)
The Jam	Man In the Corner Shop
from Sound Affects (Remastered) (1997)
The Jam	Carnation
from The Gift (Remastered) (1997)
The Jam	Monday
from Sound Affects (Remastered) (1997)
The Jam	Private Hell
from Setting Sons (Remastered) (1997)
The Jam	Billy Hunt
from All Mod Cons (1997)
The Jam	Happy Together
from The Gift (Remastered) (1997)
The Jam	Ghosts
from The Gift (Remastered) (1997)
The Jam	Here Comes the Weekend
from This Is the Modern World (1997)
The Jam	Boy About Town
from Sound Affects (Remastered) (1997)
The Jam	Sounds from the Street
from In the City (Remastered) (1997)
The Jam	Wasteland
from Setting Sons (Remastered) (1997)

Comment:

Although lumped in with the punks, the Jam were also tagged as mod revivalists during their early days (they favored tailored suits over tartan and safety pins), but by the time 1978's [i]All Mod Cons[/i] arrived, it was clear that Paul Weller was taking his songwriting skills in bold directions. Over the next four years, the band would open up to a host of disparate sounds: check out Bruce Foxton's funked-up bass on "Pretty Green" from [i]Sound Affects[/i], along with the smooth, soulful melody of "Carnation" and the uniquely haunting combination of influences that produced "Ghosts" — the latter two tracks were highlights on final studio album, [i]The Gift[/i] (1982).

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