Artist	Song
John Mayer	Waiting On the World to Change
from Continuum (Special Edition) (2008)
David Gray	Babylon
from Greatest Hits (2007)
Jack Johnson	Flake
from Brushfire Fairytales (Remastered) [Bonus Version] (2001)
Ray LaMontagne	Let It Be Me
from Gossip In the Grain (2008)
Jason Mraz	I'm Yours
from We Sing. We Dance. We Steal Things (2008)
My Morning Jacket	Gideon
from Z (2005)
O.A.R.	Heard the World
from Stories of a Stranger (2005)
Guster	Satellite
from Ganging Up On the Sun (2006)
Minus the Bear	Pachuca Sunrise
from Menos el Oso (2005)
Donavon Frankenreiter	It Don't Matter
from Donavon Frankenreiter (2004)
Slightly Stoopid	Closer to the Sun
from Closer to the Sun (2009)
Marc Broussard	Where You Are
from Carencro (2004)
Umphrey's McGee	In the Kitchen
from Anchor Drops (2004)
Vonrenzo	Cut the Chord
from Intention and the Adequacy of Delusion (2006)

Comment:

It's a little early to tell exactly what the Dave Matthews Band's ultimate impact will be — after all, they're still playing at the top of their game — but early returns sound pretty impressive. Frequent DMB producer John Alagia brings a loose-limbed, organic vibe, creating the perfect setting for John Mayer's bluesy sincerity in "Waiting On the World to Change," from the adult-alternative superstar's double-GRAMMY®-winning [i]Continuum[/i]. Like Matthews & Co., O.A.R. (short for Of A Revolution) built their rep as a must-see band from the ground up, relentlessly touring colleges before breaking into the bigs. Producer (and ex-Talking Head) Jerry Harrison reins in the group's jammy tendencies for a laser-beam focus in the more-Goo-Goo-y, less-Phish-y "Heard the World." And Matthews put his money where his taste is, co-founding ATO Records and signing the likes of alt-rock critical faves My Morning Jacket, whose reverb-drenched, psychedreamic "Gideon" exhibits their debt to Neil Young's — not to mention DMB's — sonic expansiveness. But don't stop there; from Jack Johnson to Jason Mraz, from David Gray to Damien Rice, Matthews' musical offspring are colonizing the post-indie, post-alt, post- post-modern world . . . and we've got 'em all right here.

Feedback: