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Blue Note Groove - The World of Blue Note
Comment:
By the time founders Alfred Lion and Francis Wolff retired after selling Blue Note in the mid-'60s, a new crop of fusioneers had turned up the heat under the cool school and pretty much sent bop packing. When it comes to grooves, saxman Ronnie Laws lays down a fat one in "Always There," honking his way into the pocket on top of a keyboard that gurgles like [i]Innervisions[/i]-era Stevie Wonder. On the polyunsaturated funk of "Cantaloupe Woman," guitarist Grant Green lightens it up with a [i]dy-no-mite![/i] imaginary soundtrack to a '70s inner-city sitcom that, sadly, never got made. Speaking of shoulda-been soundtracks, Donald Byrd's "Street Lady" spot-welds [i]Superfly[/i]-style blaxploitation R&B to, well, street-lady-with-a-heart-of-gold lyrics in a churning cauldron of sinewy soul. And who better to close out than a man whose middle name [i]is[/i] Groove? In "Groovin' for Mr. G," organist Richard Groove Holmes cooks like a short-order chef, trading a metric ton of jam-worthy riffage with pianist Weldon Irvine. From Jimmy McGriff to Lonnie Smith, from Bobbi Humphrey to Brother Jack McDuff, we've got all the Blue Note greats getting their groove on . . . and now you can do the same.