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Music from Quentin Tarantino Films

Artist Song
Stealers Wheel  Stuck In the Middle With You  
Dick Dale and His Del-Tones  Miserlou  
Nancy Sinatra  Bang Bang (My Baby Shot Me Down)  
Urge Overkill  Girl, You'll Be a Woman Soon  
Delfonics  Didn't I Blow Your Mind This Time  
April March  Chick Habit  
Tomoyasu Hotei  Battle Without Honor or Humanity  
The 5.6.7.8's  Woo Hoo  
Chuck Berry  You Never Can Tell  
Kool & the Gang  Jungle Boogie  
Santa Esmeralda  Don't Let Me Be Misunderstood  
Bobby Womack  Across 110th Street  
Giorgio Moroder & David Bowie  Cat People (Putting Out Fire)  
Joe Tex  I Gotcha  
Harry Nilsson  Coconut  
The Brothers Johnson  Strawberry Letter 23  
The Statler Brothers  Flowers On the Wall  
Various Artists  (Feathers, Charlie) That Certain Female  
George Baker Selection  Little Green Bag  
Ennio Morricone  A Silhouette of Doom  
Foxy Brown  (Holy Matrimony) Letter to the Firm  
Dusty Springfield  Son of a Preacher Man  
The Tornadoes  Bustin' Surfboards (LP Mix)  
Al Green  Let's Stay Together  
The Lively Ones  Surf Rider  
Ricky Nelson  Lonesome Town  
The Centurions  Bullwinkle Part II  
Link Wray and His Ray Men  Rumble '65  
Bill Withers  Who Is He? (And What Is He to You?)  
The Marketts  Out of Limits  
Johnny Cash  Tennessee Stud  
Beaky, Dave Dee, Dozy, Mick & Tich  Hold Tight!  
Bloodstone  Natural High (Single Version)  
T. Rex  Jeepster  
The Grass Roots  Midnight Confessions  
Minnie Riperton  Inside My Love  
Isaac Hayes  Run Fay Run  
Billy Preston  Slaughter  
Quincy Jones  Ironside  
Shivaree  Goodnight Moon  
Charlie Feathers  Can’t Hardly Stand It  
Ennio Morricone  L'arena  
Joe Tex  The Love You Save (May Be Your Own)  
The Coasters  Down In Mexico  
Angelo Francesco Lavagnino  L'intrigo (titoli)  

Comment:

Just as Quentin Tarantino has a knack for taking the cinematic spirit of old films he loves and bringing it crashing into view as something strange and new, yet strangely familiar, so it goes with the music that makes his movies [i]move[/i]. And motion really is the key — there's almost always something sexy, dirty, or dangerous happening onscreen to the strains of classic soul tunes, tough, tight rockers, and pure pop confections, forcing you to attach a completely different meaning to those tunes. And if it's an under-the-radar "lost classic" that wasn't in your memory banks before, you can bet it'll stick with you once it's attached to the raw, revolutionary likes of [i]Reservoir Dogs[/i], [i]Pulp Fiction[/i], or [i]Kill Bill[/i]. We've scoured Tarantino's titanic filmography for those magical moments when movie and music come together like long-lost relations finding each other at last.
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