Artist	Song
Grover Washington, Jr. & Bob James	I Loves You Porgy
from Inner City Blues (2008)
Bob James	Brighton By the Sea
from H (2008)
Grover Washington, Jr.	Chameleon (Camaleao)
from A Love Affair - The Music of Ivan Lins (2000)
Grover Washington, Jr.	Clair (Phylicia)
from A House Full of Love: Music from the Bill Cosby Show (2009)
Grover Washington, Jr., Orchestra of St. Luke's & Robert Freedman	Vissi D'arte from Tosca
from Aria (2000)
Grover Washington, Jr. & Bob James	Georgia On My Mind
from Inner City Blues (2008)
Grover Washington, Jr.	All the King's Horses
from All the King's Horses (2008)
Grover Washington, Jr.	Trouble Man
from The Best of Grover Washington, Jr. (1996)
Grover Washington, Jr.	Stolen Moments
from Then and Now (1988)
Grover Washington, Jr.	Asia's Theme
from Paradise (2008)
Grover Washington, Jr.	You Make Me Dance
from Live at the Bijou (1999)
Grover Washington, Jr.	Maddie's Blues
from Strawberry Moon (1987)
Peter White	Midnight In Manhattan
from Perfect Moment (1998)
Grover Washington, Jr.	Next Exit
from Next Exit (1992)
Grover Washington, Jr.	Take Me There
from Winelight (2009)
Grover Washington, Jr.	Play That Groove for Me
from Soulful Strut (1995)
Grover Washington, Jr.	You Are the Sunshine of My Life
from Soul Box (2008)
Grover Washington, Jr.	Just the Way You Are
from Reed Seed (2009)
Bob James	You Are So Beautiful
from Heads - EP (2006)
Grover Washington, Jr.	Only for You (Siempre Para Ti)
from Next Exit (1992)
Grover Washington, Jr.	Please Send Me Someone to Love
from Prime Cuts (The Columbia Years: 1987-1999) (1999)
Grover Washington, Jr.	Dawn Song
from Inside Moves (2008)
Grover Washington, Jr.	Jesu, Joy of Man's Desiring
from Martha Stewart Living Music: Jazz for the Holidays (2005)
Grover Washington, Jr.	Body and Soul (Montage)
from The Best of Grover Washington, Jr. (1996)
Grover Washington, Jr.	Just the Two of Us
from Grover Live (2010)

Comment:

Grover Washington, Jr. wasn't just eclectic — musically, he could be downright [i]schizophrenic[/i] . . . in a good way. Folks who know him only by his hits might have a hard time believing that Mr. "Winelight" could turn around and tear into Bach's immortal "Jesu, Joy of Man's Desiring," or the prayer-like aria "Vissi D'arte" from Puccini's operatic masterwork [i]Tosca[/i] just as easily as he could breathe new life into a Top 40 pop chartbuster like Billy Joel's "Just the Way You Are." Any one of these would have been an impressive feat for most saxmen, but Washington's gift was the way he made it [i]all[/i] look easy.

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