Artist	Song
Mudvayne	Fall Into Sleep
from Mudvayne - Lost and Found (2003)
Rise Against	Ready to Fall
from The Sufferer & the Witness (2006)
System of a Down	Lonely Day
from Hypnotize (2005)
Flyleaf	Fully Alive
from Flyleaf (2007)
Yellowcard	Lights and Sounds
from Lights and Sounds (2006)
Panic! At the Disco	The Only Difference Between Martyrdom and Suicide Is Press Coverage
from A Fever You Can't Sweat Out (2005)
Yeah Yeah Yeahs	Gold Lion
from Show Your Bones (2006)
Taking Back Sunday	MakeDamnSure
from Louder Now (2006)
Jet	Put Your Money Where Your Mouth Is
from Shine On (2006)
Deftones	Hole In the Earth
from Saturday Night Wrist (2006)
The Red Jumpsuit Apparatus	Face Down
from Don't You Fake It (2006)
The Raconteurs	Level
from Broken Boy Soldiers (2006)
Rock Kills Kid	Paralyzed
from Are You Nervous? (2006)
+44	When Your Heart Stops Beating
from When Your Heart Stops Beating (2006)
Lostprophets	Rooftops (A Liberation Broadcast)
from Liberation Transmission (2006)
Bullet for My Valentine	Tears Don't Fall
from The Poison (Deluxe Version) (2007)
Black Stone Cherry	Lonely Train
from Black Stone Cherry (2007)
Hoobastank	Inside of You
from Every Man for Himself (Red Cover) (2006)
Crossfade	Invincible
from Falling Away (2006)
Sparta	Taking Back Control
from Threes (2006)
Black Label Society	Concrete Jungle
from Shot to Hell (2007)
P.O.D.	Lights Out
from Testify (2006)
Bon Jovi	Who Says You Can't Go Home
from Have a Nice Day (Special Edition) (2010)

Comment:

Believe it or not, the Jersey boy choruses of “Who Says You Can’t Go Home” helped Bon Jovi’s Have a Nice Day album earn the group their biggest first-week sales yet. But they weren’t the only rock band with an excuse to pop — or break — champagne bottles in 2006. While “Gold Lion” is as edgy as the Yeah Yeah Yeahs’ earlier singles, it kept the trio’s winning streak going with its perfect blend of peacock guitars, chunky drums, and manic melodies. Rise Against and Atreyu also infiltrated the mainstream by sticking to their strong points, from the head-rush hooks and screeching peaks of “Ready to Fall” to the pit-pleasing metalcore of “Ex’s and Oh’s.”

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