Artist	Song
Bob Dylan	Like a Rolling Stone
from Highway 61 Revisited (1990)
Bob Dylan	Blowin' In the Wind
from The Freewheelin' Bob Dylan (2010 Mono Version) (2010)
Bob Dylan	Knockin' On Heaven's Door
from Pat Garrett & Billy the Kid (1989)
Bob Dylan	The Times They Are A-Changin'
from The Times They Are A-Changin' (2005)
Bob Dylan	A Hard Rain's A-Gonna Fall
from The Freewheelin' Bob Dylan (2010 Mono Version) (2010)
Bob Dylan	Subterranean Homesick Blues
from Bringing It All Back Home (1987)
Bob Dylan	Mr. Tambourine Man
from Bringing It All Back Home (1987)
Bob Dylan	Just Like a Woman
from Blonde On Blonde (1999)
Bob Dylan	Positively 4th Street
from Bob Dylan's Greatest Hits (1983)
Bob Dylan	Tangled Up In Blue
from Blood On the Tracks (1984)
Bob Dylan	Maggie's Farm
from Bringing It All Back Home (1987)
Bob Dylan	Rainy Day Women #12 & 35
from Blonde On Blonde (1999)
Bob Dylan	Lay, Lady, Lay
from Bob Dylan's Greatest Hits, Vol. 2 (1995)
Bob Dylan	Beyond Here Lies Nothin'
from Together Through Life (2009)
Bob Dylan	It's All Over Now, Baby Blue
from Bringing It All Back Home (1987)
Bob Dylan	Shelter from the Storm
from Blood On the Tracks (1984)
Bob Dylan	All Along the Watchtower
from John Wesley Harding (2004)
Bob Dylan	Don't Think Twice, It's All Right
from The Freewheelin' Bob Dylan (2010 Mono Version) (2010)
Bob Dylan	It Ain't Me Babe
from Another Side of Bob Dylan (2004)
Bob Dylan	Love Minus Zero / No Limit
from Bringing It All Back Home (1987)
Bob Dylan	I Want You
from Blonde On Blonde (1999)
Bob Dylan	She Belongs to Me
from Bringing It All Back Home (1987)
Bob Dylan	Forever Young
from Planet Waves (2004)
Bob Dylan	Someday Baby
from Dylan (2007)
Bob Dylan	Not Dark Yet
from Time Out of Mind (1997)

Comment:

Though Bob Dylan will be remembered and celebrated for shooting barbs into the raw nerve endings of our national psyche, he's much more than a barbarian at the gates of power. In "The Times They Are A-Changin'," he assumes a role midway between those of Paul Revere and Ted Koppel — not merely reporting the coming transformation, but acting as its agent. In "Knockin' on Heaven's Door," he shifts focus to that next world, while "Blowin' in the Wind" grapples with both spiritual and secular, philosophical and practical questions, with his feet spanning both heaven and earth.

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