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Member Since: 6/7/2004
Total Mixes: 9747
Total Feedback: 8

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Legacy

Artist Song
Edo de Waart & San Francisco Symphony  Two Fanfares for Orchestra: II. Short Ride in a Fast Machine  
Laurie Anderson  Born, Never Asked  
Four Tet  Circling  
DJ Spooky  Machinic Phylum  
Andy Summers & Robert Fripp  China-Yellow Leader  
Alex Sopp, Seth Baer, Michael Clayville, Nico Sirota, Nadia Sirota, Logan Coale, Young People's Chorus of New York, Francisco Nuñez, Valgier Sigurosson & Ben Frost  I Drink The Air Before Me: Fire Down Below  
Nobukazu Takemura  Assembler Mix (after G.F. Handel's Messiah)  
Clogs  I Used to Do  
Paul Dresher  Night Songs / Channels Passing  
The Sea and Cake  The Moonlight Butterfly  
Kronos Quartet & Ron Carter  Off Minor / Epistrophy  
Alarm Will Sound  "Agnus Dei II" from Missa L'homme Armé Super Voces Musicales  
David Byrne  Cloud Chamber  
Mikel Rouse  Prelude: We Deliver  
Maya Beiser  Memories  
Scott Johnson  But, Uh  
Robert Black & Gamelan Galak Tika  Amok!: III.  
Kronos Quartet  White Man Sleeps I  
The Junkman (Donald Knaack)  Mishmash Music  
Volker Hemken  The Low Quartet  
Brad Lubman & Ensemble Resonanz  Cruel Sister: Part II  
David Van Tieghem  Smack Dab  
Double Edge, Nurit Tilles & Edmund Niemann  Phantom Waltz  
Sufjan Stevens  Out of Egypt, Into the Great Laugh of Mankind, and I Shake the Dirt from My Sandals As I Run  
Brian Eno  French Catalogues  

Comment:

For a man widely considered a godfather of minimalism, Steve Reich has had a reach that's anything but minimal. Armed with nothing more than a double-tracked violin, his fellow Mills College alumnus Laurie Anderson wraps the icy heart of "Born, Never Asked" in a cloak of warmth and emotion, detaching it from detachment, despite its flirtation with darkness. Brian Eno sets Pachelbel's "Canon in D" on the sampling block, employing Reichian tape manipulation to layer, cut, paste, reshape, and rearrange one of the Baroque era's most celebrated compositions into his neo-ambient "French Catalogues." And The Sea and Cake conjure up a bright and bubbly synth-slathered sound — technically speaking, a kaleidoscope of contrapuntal ostinati — in the title track to their album The Moonlight Butterfly. From David Byrne to DJ Spooky to Sufjan Stevens, it seems like some of our favorite artists — and by no means all of them from the classical world — have plugged into Reich's melding of melody and minimalism.
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