Artist	Song
Big Kap, Funkmaster Flex & LL Cool J	Ill Bomb
from G.O.A.T. Featuring James T. Smith - The Greatest of All Time (2000)
LL Cool J	That's a Lie
from Radio (1995)
LL Cool J	1 In the Morning
from THE DEFinition (2004)
LL Cool J	Mirror Mirror
from 10 (2002)
LL Cool J	Queens Is
from G.O.A.T. Featuring James T. Smith - The Greatest of All Time (2000)
LL Cool J	Get Down
from Bigger and Deffer (1995)
LL Cool J	My Rhyme Ain't Done
from Bigger and Deffer (1995)
LL Cool J	Nitro
from Walking with a Panther (1995)
LL Cool J	Feel the Beat
from iTunes Originals - LL Cool J (2004)
EPMD & LL Cool J	Rampage
from Out of Business (1999)
Erick Sermon	Do-Re-Mi
from Music (2001)
Method Man & Redman, Ja Rule & LL Cool J	4 Seasons
from Blackout! (1999)
Keith Murray	Incredible
from The Most Beautifullest Hits (1999)
LL Cool J	It Gets No Rougher
from Walking with a Panther (1995)
LL Cool J	Milky Cereal
from Mama Said Knock You Out (1994)
LL Cool J	The Bristol Hotel
from Bigger and Deffer (1995)
LL Cool J	Dear Yvette
from Radio (1995)
LL Cool J	Ahh, Let's Get Ill
from Bigger and Deffer (1995)
LL Cool J	1-900 L.L. Cool J
from Walking with a Panther (1995)
LL Cool J	U Can't Fuck With Me
from G.O.A.T. Featuring James T. Smith - The Greatest of All Time (2000)
LL Cool J	Smokin' Dopin'
from Walking with a Panther (1995)
LL Cool J	LL Cool J
from G.O.A.T. Featuring James T. Smith - The Greatest of All Time (2000)
LL Cool J	Say What
from Violator - The Album (1999)
Violator & LL Cool J	Put Your Hands Up
from The Album: V2.O (2001)
LL Cool J	Crossroads
from 14 Shots to the Dome (1994)

Comment:

Back when it first came out, [i]Walking with a Panther[/i] was criticized for being [i]too[/i] commercial. Which is funny, because it basically predicted rap’s key pop crossover moments in the ‘90s and beyond, from the killer P-funk loops of “Nitro” (a favorite of Dr. Dre and Snoop Dogg) to the spotlight-stealing appearance of James Brown’s band — in sample form — on “It Gets No Rougher.” On the hardcore side of things, LL Cool J spits some serious lyrical swords across the chaotic chorus line of “Crossroads,” the frantic funk licks of “4 Seasons,” and the horror-score keys of “Queens Is,” a crucial collab with Mobb Deep.

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