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Bright Eyes
Comment:
Like Bob Dylan during his espresso-slamming days in New York’s West Village, Conor Oberst has maintained a wildly prolific work ethic over the years — enough that it’s nearly impossible to keep up with all of his releases. We did our best, though, gathering the hellish howls and sudden guitar spasms of Desaparecidos; early Bright Eyes favorites like the four-track-channeling “Falling Out of Love at This Volume” and the chilling Daniel Johnston cover “Devil Town”; and the Great American Songbook nods of Oberst’s work under his own name, a period that proved that he can rock a festival crowd as well as college rock kids.