Side A
Artist	Song
Harry Nilsson	INTRO TO SIDE A: The Land of Point (The Point!, 1970)
Wax	California (13 Unlucky Numbers, 1995)
The Rolling Stones	Street Fighting Man (Beggars Banquet, 1968)
The Who	Boris the Spider (A Quick One, 1966)
The Kinks	Death of a Clown (Something Else by the Kinks, 1967)
Elvis Costello and the Attractions	Opportunity (Get Happy!!, 1980)
Lee Dorsey	Get Out of My Life Woman (single, 1966)
T. Rex	Telegram Sam (The Slider, 1972)
The Flying Burrito Brothers	Sin City (The Gilded Palace of Sin, 1969)
Television	Little Johnny Jewel (single, 1976)
Love	A House Is Not a Motel (Forever Changes, 1967)
Cat Stevens	Trouble (Mona Bone Jakon, 1970)
Traffic	Hole In My Shoe (Heaven Is in Your Mind/Mr. Fantasy, 1968)
Harry Nilsson	Everybody's Talkin' (Aerial Ballet, 1968)
David Bowie	The Man Who Sold the World (The Man Who Sold the World, 1970)
Side B
Artist	Song	Buy
Harry Nilsson	INTRO TO SIDE B: The Pointless Forest (The Point!, 1970)
The Futureheads	A To B (Internet single, 2003)
Meat Puppets	New Gods (Meat Puppets II, 1983)
Vince Guaraldi Trio	Linus and Lucy (A Boy Named Charlie Brown, 1964)
The Breeders	Off You (Title TK, 2002)
Bob Dylan	Lay Lady Lay (Nashville Skyline, 1969)
Captain Beefheart and his Magic Band	Beatle Bones 'n' Smokin' Stones (Strictly Personal, 1968)
Parliament	Give Up the Funk (Tear the Roof Off the Sucker) (Mothership Connection, 1976)
The Jam	Town Called Malice (The Gift, 1982)
Django Reinhardt	Beyond the Sea (La Mer) (Djangology, rec. 1949)
Queen	Stone Cold Crazy (Sheer Heart Attack, 1974)
Magazine	Back to Nature (Secondhand Daylight, 1979)
The Replacements	Unsatisfied (Let It Be, 1984)
Tom Waits	Cemetery Polka (Rain Dogs, 1984)
Harry Nilsson	OUTRO TO TAPE (The Point!, 1970)

Comment:

To answer the question: yes. This mix has several points. (But then, a point in every which way is the same as no point at all... damn!)1. I owe my friend Matt another mix.2. I decided that, as I have not done my radio show in quite a while (due to lack of communication with our advisor), I would make the mix spontaneously, without any planning beforehand.3. NO TRACK ONES. Seriously, if you look at some of my other mixes, it's a never-ending track 1, track 1, track 1. (The only exception being "A To B" which was released online and therefore not a "track" at all.)The title evolved from my idea to use short clips from Harry Nilsson's "The Point!" to begin each side. For some reason I used a bit about "The Land of Point" for side A and a bit about "The Pointless Forest" for side B. (But then Nilsson says that the time it takes to get to the Pointless Forest is the same as the time it takes to sing a song. Then I play "A To B." Clever, eh?)I am quite proud of this mix, most likely due to the fact that it was spontaneous. If I ever get my damn radio program back, I'm ready for it.Oh, and I have a new tape recorder. (Actually, it's my younger brother's. Same model. He never uses the cassette. He just listens to Rush and Fear Factory albums on the CD player.)

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