Artist	Song
Sammy Davis, Jr.	Bye Bye Blackbird
from Greatest Songs (1990)
Maxwell	Sumthin' Sumthin'
from Maxwell's Urban Hang Suite (1996)
Jane Monheit	More Than You Know
from Live at the Rainbow Room (2003)
Liz Story	Valse d'Amelie
from Pure Liz Story (2006)
Woody Herman	Can't We Be Friends?
from Songs for Hip Lovers (1999)
The Sundays	Wild Horses
from Blind (1992)
Bill Frisell	Poem for Eva
from The Best of Bill Frisell, Vol. 1 - Folk Songs (2008)
Air	All I Need
from Moon Safari (2004)
Daniel Lanois	Still Water
from Acadie (Goldtop Edition) (2008)
Chris Isaak	Only the Lonely
from Best of Chris Isaak (Remastered) (2006)
Madeleine Peyroux	Dance Me to the End of Love
from Careless Love (2010)
Massive Attack	Teardrop
from Mezzanine (1998)
Aaron Neville	In the Still of the Night
from Nature Boy - The Standards Album (2003)
Kenny Barron & Stan Getz	People Time
from People Time (Live Copenhagen 1991) (1992)
Sam Prekop	Showrooms
from Sam Prekop (1999)
Bebel Gilberto	Samba da Bencao
from Tanto Tempo (2008)
Rufus Wainwright	Poses
from Poses (2002)
Keren Ann	Jardin d'hiver
from Not Going Anywhere (2004)
Ben Harper	Another Lonely Day
from Fight for Your Mind (1995)
Lyle Lovett	North Dakota
from Joshua Judges Ruth (1992)
Bill Charlap	Lonely Town
from Somewhere - The Songs of Leonard Bernstein (2004)
Belle and Sebastian	Waiting for the Moon to Rise
from Fold Your Hands Child You Walk Like a Peasant (2000)
Rickie Lee Jones	On Saturday Afternoons In 1963
from The Duchess of Coolsville (2005)
Robbie Robertson	Broken Arrow
from Robbie Robertson (1987)

Comment:

As we clear the table and break out the coffee at evening's end, our Deep Cuts offers some of your favorite artists and your favorite songs . . . in ways you've never heard them before. The Sundays fuse equal parts of the Cowboy Junkies and the Rolling Stones into their almost hymnlike cover of the latter's "Wild Horses." If you want a glimpse of Chris Isaak's roots — or at least part of them — you need look no further than the angst-packed, falsetto-fringed pop of "Only the Lonely," originally cut by Roy Orbison when Isaak was still in kindergarten. And in perhaps the coolest — and weirdest — reworking in this entire set, Madeleine Peyroux flashes a little sunshine onto the sawdust-floor melancholy of Leonard Cohen's "Dance Me to the End of Love," transforming it from a gloomy final fling into a come-hither cabaret croon.

Feedback: