|
Aaron Copland, London Symphony Orchestra & William Warfield
|
Fanfare for the Common Man
|
from Copland Conducts Copland (Expanded Edition)
(2003)
|
Leonard Bernstein & New York Philharmonic
|
Adagio for Strings from the String Quartet, Op. 11
|
from Great Performances - Barber's Adagio and Other Romantic Favorites for Strings
(1987)
|
Berliner Philharmoniker & Sir Simon Rattle
|
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna - Coro
|
from Orff: Carmina Burana
(2005)
|
Howard Shelley & Philharmonia Orchestra
|
Piano Concerto In F Major: III. Allegro Agitato
|
from Gershwin: Rhapsody in Blue / Second Rhapsody / Piano Concerto in F Major
(1992)
|
José Serebrier, New York Philharmonic & Sharon Isbin
|
Concierto de Aranjuez for guitar & orchestra: I. Allegro con spirito
|
from Rodrigo: Concierto de Aranjuez - Villa-Lobos: Concerto for guitar - Ponce: Concierto del sur
(2005)
|
Aldo Ciccolini
|
Trois Gymnopedies: I. Lent Et Douloureux
|
from Great Recordings Of The Century - Satie: Works for Piano
(2000)
|
City of Birmingham Symphony Orchestra & Sir Simon Rattle
|
Short Ride In A Fast Machine
|
from John Adams: Harmonielehre - Rattle
(1994)
|
London Symphony Orchestra & Sir Colin Davis
|
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
|
from Holst: The Planets
(2003)
|
John Mauceri, RIAS Kammerchor, Berlin & Ute Lemper
|
Moritat von Mackie Messer, (Mack the Knife) [From The Threepenny Opera]
|
from Decca 75 - A Celebration
(2004)
|
David Tanenbaum
|
Electric Counterpoint: III. Fast
|
from Acoustic Counterpoint
(1990)
|
London Symphony Orchestra & Mstislav Rostropovich
|
Symphony No. 5 in D minor, Op. 47: II. Allegretto
|
from Shostakovich: Symphony No. 5
(2005)
|
London Philharmonic Orchestra & Sir Adrian Boult
|
Finlandia
|
from Sibelius: Tone Poems & Symphonies 5 - 7
(2003)
|
London Symphony Orchestra & Sir Colin Davis
|
Peter Grimes: Act II. Interlude 3
|
from Britten: Peter Grimes
(2004)
|
Ensemble InterContemporain, Hilary Summers & Pierre Boulez
|
Le Marteau Sans Maître: Commentaire i de "Bourreaux de Solitude"
|
from Pierre Boulez At 80: The Conductor and the Composer
(2005)
|
Berliner Philharmoniker & Herbert von Karajan
|
Pines of Rome: The Pines of the Appian Way (I pini della Via Appia)
|
from Respighi: The Fountains of Rome, The Pines of Rome, Ancient Airs and Dances - Suite III, Boccherini: Quintettino, Albinoni: Adagio in G Minor
(1996)
|
The Philadelphia Orchestra & Wolfgang Sawallisch
|
Mathis Der Maler- Symphony: II. Entombment
|
from Hindemith: Mathis Der Maler
(1995)
|
Gil Shaham, Jian Wang, Myung-Whun Chung & Paul Meyer
|
Quatuor pour la fin du temps: IV. Intermède
|
from Messiaen: Quatuor Pour la Fin Du Temps
(2000)
|
Yehudi Menuhin
|
Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio
|
from Bartok: Violin Concertos, Viola Concerto, Rhapsodies
(2004)
|
Dawn Upshaw & Kronos Quartet
|
Lyric Suite for Soprano and String Quartet: I. Allegretto gioviale
|
from Berg: Lyric Suite
(2005)
|
Christine Schäfer, Ensemble InterContemporain & Pierre Boulez
|
Pierrot Lunaire, Op. 21 (1912): Part I - 1. Mondestrunken
|
from Schoenberg: Pierrot Lunaire, Herzgewächse & Ode to Napoleon
(1998)
|
Boston Symphony Orchestra & Michael Tilson Thomas
|
Three Places In New England: III. from "The Housatonic At Stockbridge"
|
from Ives, Ruggles, Piston: Orchestral Music
(2001)
|
Berliner Philharmoniker & Herbert von Karajan
|
Verklärte Nacht, Op. 4: V. Adagio
|
from Schoenberg: Verklärte Nacht - Pelleas und Melisande
(1998)
|
James Levine, Metropolitan Opera Orchestra, New York Voices, Renée Fleming & Teddy Swarrer
|
Porgy and Bess: Summertime
|
from Renée Fleming: I Want Magic! (American Opera Arias)
(1998)
|
David Zinman, Dawn Upshaw & London Sinfonietta
|
Symphony No. 3: II. Lento e largo - Tranquillissimo
|
from Gorecki: Symphony No. 3
(2004)
|
Paavali Jumppanen
|
Piano Sonata No. 2: 3. Modéré, Presque Vif
|
from Pierre Boulez At 80: The Conductor and the Composer
(2005)
|
Academy of St. Martin In the Fields, Sir Neville Marriner & William Bennett
|
Fantasia On Greensleeves
|
from Vaughan Williams: Tallia Fantasia; Fantasia On Greensleeves; the Lark Ascending Etc.
(1986)
|
Kronos Quartet
|
Salome Dances for Peace: I.iii. Anthem of the Great Spirit: Fanfare In the Minimal Kingdom
|
from Riley: Salome Dances for Peace
(2004)
|
Michel Plasson & Orchestre du Capitole de Toulouse
|
Symphony No. 3, 'Liturgique' H. 186: I. Dies Irae (Allegro Marcato)
|
from Honegger: Symphonies Nos. 1-5
(2003)
|
London Symphony Orchestra & Sir Georg Solti
|
Concerto for Orchestra, Sz. 116: 4. Intermezzo Interrotto (Allegretto)
|
from Bartók: Concerto for Orchestra; Dance Suite; the Miraculous Mandarin
(2001)
|
John Browning & Thomas Hampson
|
In the Dark Pinewood
|
from Barber - The Complete Songs
(2002)
|
The Philadelphia Orchestra & Wolfgang Sawallisch
|
Symphonic Metamorphisis Of Themes By Carl Maria Von Weber: III. Andantino
|
from Hindemith: Mathis Der Maler
(1995)
|
Berliner Philharmoniker, Leif Ole Andsnes & Pierre Boulez
|
Piano Concerto No. 2, BB 101, Sz. 95: III. Allegro molto
|
from Bartók: The Piano Concertos
(2005)
|
Alaine Fink & George Vosburgh
|
Sonata for Trumpet and Piano: II. Lento
|
from Trumpet Masterworks
(2001)
|
Ensemble InterContemporain & Pierre Boulez
|
Concerto in E Flat, "Dumbarton Oaks": I. Tempo giusto
|
from Berg: Chamber Concerto / Stravinsky: Ebony Concerto; Dumbarton Oaks; 8 Miniatures
(1995)
|
Emerson String Quartet
|
String Quartet in B Major, Op. 11: II. Molto adagio "Adagio for Strings"
|
from Ives & Barber: String Quartets
(1993)
|
Boston Symphony Orchestra & Michael Tilson Thomas
|
Symphony No. 2: III. Allegro
|
from Ives, Ruggles, Piston: Orchestral Music
(2001)
|
Ensemble De Violoncelles De Paris, Jean-Guihen Queyras & Pierre Boulez
|
Messagequisse (1976/77) Pour violoncelle solo et six violoncelles: IV. Aussi Rapide Que Possible - Ciff.10
|
from Boulez: Sur Incises, Messagesquisse & Anthèmes 2
(2000)
|
Horacio Gutierrez, Neeme Järvi & Royal Concertgebouw Orchestra
|
Piano Concerto No. 3 In C Major, Op. 26: I. Andante - Allegro
|
from Prokofiev: Piano Concertos Nos. 2 and 3
(1990)
|
Andre Come, Armando Ghitalla, Boston Symphony Chamber Players, Doriot Anthony Dwyer, Gordon Hallberg, Harold Wright, Matthew Ruggiero, Sherman Walt & William Gibson
|
Octet for Wind Instruments: III. Finale
|
from Strauss, J. II: Waltzes / Stravinsky: Octet; Pastorale; Ragtime; Concertino
(2002)
|
Emerson String Quartet
|
String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto
|
from Shostakovich: The String Quartets
(2000)
|
Berliner Philharmoniker, Berliner Rundfunkchor, Pierre Boulez & Sigurd Brauns
|
Symphonie de Psaumes: 1. Exaudi Orationem Meam, Domine
|
from Stravinsky: Symphony of Psalms
(1999)
|
Deutsches Symphonieorchester Berlin & Kent Nagano
|
El Niño: When Herod Heard
|
from Adam: El Niño
(2005)
|
Berliner Philharmoniker & Pierre Boulez
|
5 Movements for String Quartet, Op. 5: III. Sehr Bewegt
|
from Boulez Conducts Webern II
(1995)
|
Bournemouth Symphony Orchestra & Marin Alsop
|
Symphony No. 3: IV
|
from Glass: Symphonies Nos. 2 and 3
(2004)
|
Ferenc Fricsay, John Leach & Radio Symphony Orchestra of Berlin
|
Háry János Suite: Entrance of the Emperor and His Court
|
from Kodály: Háry Janos Suite; Psalmus Hungaricus; Galántai táncok; Marosszéki táncok
(1999)
|
Claudio Abbado, Douglas Boyd, Jacques Zoon, James Sommerville, Matthew Wilkie & Richard Hosford
|
Six Bagatelles for Wind Quintet: II. Rubato. Lamentoso
|
from Ligeti: Clear or Cloudy
(2006)
|
Mstislav Rostropovich
|
Cello Concerto (Tout un Monde Lointain): V. Hymne (Allegro)
|
from Rostropovich - Le Violoncello Du Siècle
(2005)
|
Philipp Vandre
|
Mysterious Adventure
|
from Cage: Complete Short Works for Prepared Piano
(2007)
|
Juha Kuivanen & Tapiola Chamber Choir
|
Stabat Mater: Two Choruses from the Passion According to St. Luke (1963-65) - 2. In Pulverem Mortis - Vulgata / Psalm 21: 16-20
|
from Penderecki: Stabat Mater
(2006)
|
Chamber Domaine & Thomas Kemp
|
Requiem Für Eine Polka for Piano and 13 Instruments Opus 66: I. Tranquillo
|
from Henryk Górecki: Life Journey
(2009)
|
Amici Chamber Ensemble
|
Quatuor pour la fin du temps, I. 22: II. Vocalise, for the Angel who announces the end ofTime
|
from Messiaen: Quartet for the End of Time
(1995)
|
Aaron Copland & London Symphony Orchestra
|
Billy the Kid (Ballet Suite): Gun Battle
|
from Copland Conducts Copland: Appalachan Spring, Lincoln Portrait, Billy the Kid
(1988)
|
Arthur Weisberg & Contemporary Chamber Ensemble
|
Ancient Voices of Children: Dances Of The Ancient Earth
|
from George Crumb: Ancient Voices of Children - Music For A Summer Evening
(2005)
|
Chicago Symphony Orchestra & Pierre Boulez
|
Ionisation
|
from Boulez Conducts Varése: Amériques, Arcana, Déserts & Ionisation
(2001)
|
Claudio Abbado, Günther Theuring, Wiener Jeunesse-Chor & Wiener Philharmoniker
|
Liebeslied (1954) [For Mixed Chorus and Instruments]
|
from Wien Modern
(1990)
|
Dennis Marks, Lisa Leonard, Mark Hetzler & Mike Orta
|
Vocano Songs - Hips Dance
|
from American Voices
(2005)
|
Claudio Abbado, Maurizio Pollini, Slavka Taskova & Symphonieorchester des Bayerischen Rundfunks
|
Como Una Ola de Fuerza y Luz: Orchestra and piano entry
|
from Nono: Como una ola de fuerza y luz ; Manzoni: Masse: ommagio a Edgar Varèse
(2001)
|
Paul Hillier & Theatre of Voices
|
Stimmung: Model 11
|
from Stockhausen: Stimmung
(2007)
|
Christian Lindberg
|
Sequenza V
|
from Berio - Xenakis - Kagel - Cage: Works for Solo Trombone
(1989)
|
Pacifica Quartet
|
String Quartet No. 1: I. Maestoso
|
from Carter: String Quartets Nos. 1 and 5
(2008)
|
Charles Ives
|
Four Transcriptions from Emerson: No. 1 (beg.)
|
from Ives Plays Ives: The Complete Recordings of Charles Ives at the Piano
(2006)
|
Balanescu Quartet
|
String Quartet No.2: 2. II
|
from Michael Nyman: String Quartets Nos.1-3
(2007)
|
Benjamin Simon, David Abel, Joan Jeanrenaud, Julie Steinberg & William Winant
|
Allegro
|
from Rhymes With Silver
(2000)
|
Joan Jeanrenaud
|
Metamorphosis Four
|
from Metamorphosis
(2002)
|
Daniel Adni, Isabelle Van Keulen, Rainer Moog & Young-Chang Cho
|
Piano Quartet No. 1, III. Allegretto poco moderato, Poco allegro, Allegro, Andante, Allegretto, Allegro
|
from Martinu: Chamber Music
(1996)
|
Miya Masaoka
|
Part 2
|
from While I was walking, I heard a sound...
(2005)
|
San Francisco Symphony Chorus, Dale Tracy, Marc Shapiro, Melodi Dalton & Vance George
|
Ecstatic Meditaions: No. 2. How the Soul Speaks to God
|
from Voices 1900/ 2000
(2001)
|
Anthony de Mare
|
Paris
|
from Cage & Monk: Pianos and Voices
(1992)
|
Aequalis & Fred Bronstein
|
Synchronism No. 6 for Piano and Electronic Sounds
|
from Aequalis: Brody/Davidovsky/Gideon/Steiger/Ung
(1991)
|
Abel-Steinberg-Winant Trio
|
Set of Five: III
|
from Set of Five
(1991)
|
Alexandre Tharaud
|
Les Trois Valses Distinguées Du Précieux Dégoûté: II. Son Binocle
|
from Satie: Avant-dernières pensées
(2009)
|
Gidon Kremer, Leonard Bernstein & New York Philharmonic
|
Violin Concerto (1984): 4. Midnight: Slow
|
from Glass - Rorem: Violin Concertos, Bernstein: Serenade
(2006)
|
Charles Wuorinen & New York Virtuoso Singers
|
Mass for the Restoration of St. Luke in the Fields: Symphonia
|
from Charles Wuorinen Series: Genesis
(2004)
|
David Abel, Deborah Dietrich, Karen Rosenak, Philip Brett, UC Berkeley Chamber Chorus & William Winant
|
Rothko Chapel: 4th Movement
|
from Feldman: Rothko Chapel, Why Patterns?
(1991)
|