Artist	Song
Peter Kater & R. Carlos Nakai	The West
from How the West Was Lost (1993)
R. Carlos Nakai & William Eaton	Spring Council
from Carry the Gift (1988)
R. Carlos Nakai	Gateway
from Earth Spirit (2003)
R. Carlos Nakai	Red Streaking Into Water (From Emergence)
from The Best of Nakai In Beauty, We Return (2004)
R. Carlos Nakai	Song for the Morning Star
from Canyon Trilogy (2003)
R. Carlos Nakai	Inner Voices
from Inner Voices (1999)
Peter Kater & R. Carlos Nakai	Honoring
from Migration (1992)
R. Carlos Nakai	Obsidian Talisman
from Talisman (2008)
R. Carlos Nakai with Cliff Sarde, William Eaton & Randy Wood	Honor Your Love
from Reconnections (2006)
R. Carlos Nakai	Lake That Speaks (From Two World Concerto)
from The Best of Nakai In Beauty, We Return (2004)
R. Carlos Nakai	Coyote Animus
from Earth Spirit (2003)
R. Carlos Nakai & William Eaton	Sun March
from Carry the Gift (1988)
Nawang Khechog, R. Carlos Nakai, Various Artists, Will Clipman & William Eaton	Dwelling In the Garden
from In a Distance Place (2000)
Nawang Khechog	Zen Blues
from Music as Medicine (2010)
Peter Kater & R. Carlos Nakai	Call to Enchantment
from Honorable Sky (1994)
Peter Kater & R. Carlos Nakai	Becoming Human
from How the West Was Lost (1993)
Peter Kater & R. Carlos Nakai	Everglade Farewell
from How the West Was Lost, Vol. 2 (1995)
Peter Kater & R. Carlos Nakai	Day Sky - Night Sky
from Natives (1990)
R. Carlos Nakai	Shaman's Call
from Fourth World (2002)
Peter Kater & R. Carlos Nakai	Honorable Sky
from Honorable Sky (1994)
R. Carlos Nakai	Crow Canyon (From Big Medicine)
from The Best of Nakai In Beauty, We Return (2004)
R. Carlos Nakai, William Eaton, Will Clipman	The Lake Inside the Flower
from Feather, Stone & Light (1995)
R. Carlos Nakai	Catfish Muse
from Earth Spirit (2003)
Nawang Khechog	Harmony In Balance
from Music as Medicine (2010)
Peter Kater & R. Carlos Nakai	Grandmother's Lament
from How the West Was Lost, Vol. 2 (1995)

Comment:

The flute holds the central focus in most of R. Carlos Nakai's recordings, but his frequent collaborations with German-born pianist Peter Kater and others outside the Native American tradition foster a unique sound. Despite being a frequent resident of the [i]Billboard[/i] new age charts, Nakai has never recorded for a major label.

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