2FFs

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Member Since: 3/15/2002
Total Mixes: 126
Total Feedback: 35

Strange Battery (1)

Artist Song
Pram  The Owl Service 
The Owls  Air 
The Handsome Family  Weightless Again 
Momus  Jesus in Furs 
The Sugarplastic  Liar over Winchester 
Luminous Orange  Sugarplastic 
Hood  They Removed All the Trace that Anything Had Happened Here 
U2  Hold Me, Thrill Me, Kiss Me, Kill Me 
Shena Ringo  Stem (Daimyou Asobi Hen) 
Nick Mason's Fictitious Sports with Carla Bley & Robert Wyatt  I'm a Mineralist 
Soul Coughing  Murder of Lawyers 
David Essex  Rock On 
Gary Numan  The Aircrash Bureau 
MK Ultra  Goodbye, Max! 
A.C. Newman  The Town Halo 
Noonday Underground  London 
The Shirelles  I Met Him on a Sunday 
Jonathan King  Everyone's Gone to the Moon 
Michael Nesmith  Wax Minute 

Comment:

The idea behind the selection of tracks I included here began with trying to highlight songs that weren't from albums I was familiar with, often in fact being the only song I knew by the particular artist, or songs from compilations etc. In other words, sort of a meta-compilation of "stray" songs I'd acquired mostly over the last year or so. There are some exceptions, but that remains a pretty good description of what's here.

One of things I've discovered about making mixes on computer is the joy of being able to manipulate sequencing far more readily than with cassette-based mixes. Once I've ripped the tracks, I can sequence them in any number of trial orders, and actually hear how Song A sounds going into Song B. Consequently, one of the things I try to do is create nice transitions from one track to another, whether those work in terms of key relations, sound, rhythm, or sometimes thematically (there are a couple of purely verbal-related transitions here-although if they don't work for me sonically, I tend to avoid them). A couple tracks even crossfade ever so slightly, courtesy some relatively new software I picked up. Here's the second part.
image for mix

Feedback:

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spacelab
Date: 6/14/2004
And what new software would that be? I quite often make transitions for the reasons you listed, but I don't have the gear to make crossfades, so I'm curious...
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Curtis_Burns
Date: 6/14/2004
Excellent. Love the Nick Mason, er, uhm, Carla Bley, uhm, Nick Mason track in particular.
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Muzag
Date: 6/15/2004
Nice. For me half the fun of making mixes is the manipulation of digital audio....hmmmmm, so much control....
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valis
Date: 6/15/2004
Looks great 2FFS.., love both, esp. the Asteroid #4, Sugarplastic, Nesmith, etc....also, been hearing (reading) quite a bit about the A.C. Newman..
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2FFs
Date: 6/15/2004
Spacelab: I've used Goldwave (available at the obvious URL) for years as a .wav editor; they also make a product called Multiquence: that's the one that allows multiple sound layers etc. I haven't used it yet to its full capabilities (probably never will) but it seems to work well enough the way I have - esp. for the low price.
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spacelab
Date: 6/17/2004
I use GoldWave too... didn't realise they had a programme that would allow for multiple sound layers, though. Thanks for the tip.