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DMX
Comment:
While most musicians are able to separate their “real selves” from their stage selves, DMX has always been driven by the inner demons that follow his every move. On one level, he’s the kind of God-fearing gangster you’d find in an old Scorsese film — a street-savvy storyteller, delivering his lines alongside moonlit keyboard melodies (“Let Me Fly”), sped-up samples (“Dogs Out”), and sky-scraping sopranos (“Ready to Meet Him”). And then there’s the frantic, frothing-at-the-mouth madman who clobbers the 8-bit bleeps of “Money, Cash, Hoes” and hammers the hasty drum hits of “Comin’ for Ya.” We’ve got both sides of the man right here.