Artist	Song
Blur	Song 2
from Blur (1997)
blur	Girls & Boys
from Parklife (1994)
blur	She's So High
from Leisure (1998)
Blur	Beetlebum
from Blur (1997)
blur	Tender
from The Best of Blur (2000)
Blur	M.O.R.
from Blur (1997)
blur	Coffee & TV
from 13 (1999)
blur	Popscene
from Midlife: A Beginner's Guide to Blur (2009)
blur	Crazy Beat
from Think Tank (2003)
blur	There's No Other Way
from Leisure (1998)
blur	Parklife
from Parklife (1994)
blur	Country House
from The Great Escape (2006)
Blur	On Your Own
from Blur (1997)
blur	This Is a Low
from Parklife (1994)
blur	Out of Time
from Think Tank (2003)
blur	Trimm Trabb
from 13 (1999)
blur	Charmless Man
from The Great Escape (2006)
Blur	Death of a Party
from Blur (1997)
blur	The Universal
from The Great Escape (2006)
blur	Come Together
from Leisure (1998)
blur	Advert
from Modern Life Is Rubbish (1993)
blur	Jubilee
from Parklife (1994)
blur	Bang
from Leisure (1998)
blur	Star Shaped
from Modern Life Is Rubbish (1993)
blur	Good Song
from Think Tank (2003)
blur	No Distance Left to Run
from 13 (1999)
Blur	You're So Great
from Blur (1997)
blur	Chemical World (Includes 'Intermission')
from Modern Life Is Rubbish (1993)
blur	End of a Century
from The Best of Blur (2000)
blur	To the End
from Parklife (1994)
blur	Stereotypes
from The Great Escape (2006)
blur	Tracy Jacks
from Parklife (1994)
blur	Mellow Song
from 13 (1999)
blur	For Tomorrow
from Modern Life Is Rubbish (1993)
blur	Girls and Boys (Live In Hyde Park, London 3/7/09)
from All the People (Live At Hyde Park 03/07/2009) (2009)
blur	On Your Own
from Bustin' and Dronin' (2003)
blur	She's So High
from The Best of Blur (2000)
blur	Magic America
from Parklife (1994)
blur	Music Is My Radar
from The Best of Blur (2000)
blur	Sing
from Midlife: A Beginner's Guide to Blur (2009)
blur	Beetlebum
from The Best of Blur (2000)
Blur	Country Sad Ballad Man
from Blur (1997)
blur	Trouble in the Message Centre
from Parklife (1994)
blur	Battery In Your Leg
from Think Tank (2003)
blur	Song 2
from Bustin' and Dronin' (2003)

Comment:

Now that he’s known as the puppet master behind Gorillaz — the world’s first platinum-plated cartoon band — it’s easy to forget Damon Albarn’s other life as the highly influential frontman of Blur. Beginning in 1991 with Leisure (hear: the slow-burning balladry of “Sing” and the groove-locked chords of “There’s No Other Way”), the legendary Londoners challenged the very notion of Britpop with every album. Hit random on our Essentials set to hear what we mean, as midtempo melodies brush up against sudden bursts of feedback (“Coffee & TV”) and an entire decade is defined by everything from stuttering synths (“On Your Own”) to an ecstatic, cockney-spewing slice of spoken word about the band’s former home base, Colchester (“Parklife”).

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