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John Williams
Comment:
Here, among the rousing mainstays of Williams' high profile partnerships with George Lucas and Steven Spielberg, we've added a few pieces that have nothing to do with swashbuckling adventure and reflect more serious concerns: the mournful strains of "Munich, 1972" from Spielberg's [i]Munich[/i] speak of pain and inhumanity, while the light woodwind touches of "The Tale of Viktor Navorski" —from [i]The Terminal[/i] — succeed in combining comically bizarre and lovably human elements.