Artist	Song
Buckcherry	Sorry
from 15 (2006)
Foxboro Hottubs	Mother Mary
from Stop Drop and Roll!!! (2008)
The Killers	Shadowplay
from Sawdust (2007)
P!nk	Don't Let Me Get Me
from M!ssundaztood (2001)
M.I.A.	Paper Planes
from Kala (2007)
OneRepublic	Stop and Stare
from Dreaming Out Loud (2007)
Murphy Lee, Nelly & P. Diddy	Shake Ya Tailfeather
from Murphy's Law (2003)
New Radicals	You Get What You Give
from Maybe You've Been Brainwashed Too (1998)
Cherish	Killa
from The Truth (Bonus Track Version) (2008)
Gavin DeGraw	In Love With a Girl
from In Love With a Girl - Single (2008)
The All-American Rejects	Move Along
from Move Along (2005)
Bloc Party	Helicopter
from Silent Alarm (2005)
The National	Mistaken for Strangers
from Boxer (2007)
Silversun Pickups	Lazy Eye
from Carnavas (2011)
The Black Keys	Strange Times
from Attack & Release (2008)
The Kooks	Always Where I Need to Be
from Always Where I Need to Be - Single (2008)
Phantom Planet	Do the Panic
from Raise the Dead (Bonus Track Version) (2008)
Cold War Kids	Hang Me Up to Dry
from Robbers & Cowards (2008)
Santigold	L.E.S. Artistes
from Santigold (2008)
The Hold Steady	Sequestered In Memphis
from Stay Positive (2008)
The Ting Tings	That's Not My Name
from We Started Nothing (2008)
Carolina Liar	I'm Not Over
from Coming to Terms (2008)
Metro Station	Shake It
from Metro Station (2007)
Eli "Paperboy" Reed & The True Loves	(Doin' The) Boom Boom
from Roll With You (2008)
The Heavy	That Kind of Man
from Strike! (Counter Records Sampler) (2009)

Comment:

So you're starting to feel like your second wind just gave way to an easy, breezy nap? That'd be fine if your boss weren't, oh, two cubicles away and about to catch your first [i]z[/i]. But since he's seconds from asking what you've done today, you might want to look alive, (blue or white collar) soldier. Don't worry, we've got just the sort of thing that'll help: an icy and infectious Joy Division cover ("Shadowplay"), Green Day's garage rock alter ego (Foxboro Hottubs), pop-punk so sugary it'll leave you suffering from withdrawal the second it's over ("Move Along"), and maybe the most brilliant Clash sample [i]ever[/i] — the bullet-riddled, register-emptying anti-pop of "Paper Planes," which borrows its wobbly hook from "Straight to Hell."

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