Artist	Song
Taylor/W. Parker/Oxley	Third Part (Looking: the Feel Trio 1989)
Shipp/W. Parker/Ibarra	C Jam Blues (The Multiplication Table 1997)
Schlippenbach/E. Parker/Lovens	Moonbeef (Pakistani Pomade 1972)
Mengelberg/Brotzmann/Bennink	There and Zuruck (3 points and a mountain 1979)
Crispell/Guy/Hemingway	Ricochet (Cascades 1993)

Comment:

The Taylor track is sort of long, the rest are under 15 minutes....lots of credit due to Atavistic/Unheard Music for reissuing Pakistani Pomade. I'm not the kind of guy with $200 for out of print lps. The 1 -> 2 move is supposed to clear up any "misunderstandings" regarding Shipp's position as a 'Taylor stylist' as some would have it. There's a Cooper Moore solo record where he speaks about the same sort of "misunderstandings" that people had regarding Taylor's influence on Cooper Moore. He says that he didn't hear 'Love for Sale' until he was 20 and that Jaki Byard was a more important early influence. Shipp has also mentioned Byard as one of the players he paid attention to......What does this mean? I think it's time for a Jaki Byard focus show.

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