Side A
Artist	Song
Ted Nugent	Cat Scratch Fever (Cat Scratch Fever - 1977)
The Scorpions	Rock You Like A Hurricane (Love At First Sting - 1984)
Accept	Bad Habits Die Hard (Death Row - 1995)
Saigon Kick	Coming Home (Saigon Kick - 1991)
Soul Asylum	Keep It Up (Grave Dancers Union - 1992)
L7	Moonshine (The Beauty Process: Triple Platinum - 1997)
Faith No More	Falling To Pieces (The Real Thing - 1989)
Pearl Jam	Get Right (Riot Act - 2002)
Kings Of Leon	Molly's Chambers (Youth And Young Manhood - 2003)
Jimi Hendrix	Angel (The Cry Of Love - 1971)
U2	Stay (Faraway, So Close!) (Zooropa - 1993)
Radiohead	House Of Cards (In Rainbows - 2008)
Blue Oyster Cult	Then Came The Last Days Of May (Blue Oyster Cult - 1972)
The Rollins Band	I Feel Like This (Hard Volume - 1989)
Skid Row	Bonehead (Subhuman Race - 1995)
The Cult	Holy Mountain (Born Into This - 2007)
Lou Reed	Ecstasy (Ecstasy - 2000)
Queens Of The Stone Age (+ Mark Lanegan & Billy Gibbons)	Burn The Witch (Lullabies To Paralyze - 2005)
My Life With The Thrill Kill Kult	After The Flesh (The Crow [O.S.T. - V/A] - 1994)
Grand Funk (Railroad)	Black Licorice (We're An American Band - 1973)
Side B
Artist	Song	Buy
Rush	One Little Victory (Vapor Trails - 2002)
Carl Palmer (Emerson, Lake & Palmer) (+ Joe Walsh)	L.A. Nights (instrumental) (Works, Voume 1 - 1977)
Manic Street Preachers	Empty Souls (Lifeblood - 2004)
Elvis Presley	That's All Right (Mama) (2nd To None [compilation] - 2003/1954)
Bjork (+ Catherine Deneuve)	Cvalda (Selmasongs [Dancer In The Dark O.S.T.] - 2000)
Jane's Addiction	So What! (Kettle Whistle [compilation] - 1997)
John Entwistle	Peg Leg Peggy (Rigor Mortis Sets In - 1973)
The Beatles	And Your Bird Can Sing (Revolver [U.K.] - 1966)
Starcastle	To The Fire Wind (Starcastle - 1975)
The Rolling Stones	Can You Hear The Music (Goats Head Soup - 1973)
Aerosmith	Pandora's Box (Get Your Wings - 1974)
Motorhead	Killed By Death (No Remorse [compilation] - 1984)
Gamma (w / Ronnie Montrose)	Fight To The Finish (Gamma 1 - 1979)
King Crimson	Fracture (instrumental) (Starless And Bible Black - 1974)
Patti Smith	Farewell Reel (Gone Again - 1996)
Smashing Pumpkins	Farewell And Goodnight (Mellon Collie And The Infinite Sadness - 1995)

Comment:

Yes, thank you very much, Lemmy - and I imagine that title's quite the attention-grabber. (Ha, ha, ha!)

Two more eliminations:
Bjork - Selmasongs (Dancer In The Dark O.S.T.) (2000) (#163 - 4/24/09)
Aerosmith - Get Your Wings (1974) (#163 - 4/24/09)

A SPECIAL NOTE TO FELLOW AOTM POSTERS!:
If you guys want to go all out and use italics, boldface and line breaks in your titles and liner notes, you're going to have to take a "backdoor" approach - namely, by setting up a mix with just a bare minimum of content and then using the Update feature to fill everything else in after the fact. So if you're the sort of mixer who prefers to use boldface and italics, don't let present circumstances stop you - just work around them! :-)

Also, if anyone's having trouble with their My Art Of The Mix pages resolving themselves, and having it take forever for all their mixes to be listed on that page, that may possibly have something to do with the recent glitch which caused Sides One and Two of the Cassette-format mixes to "mash up" into one big list! :-( Fear not, for there is an elegant, simple solution to untangling this: Just use the Up-date feature to re-submit them and they should return to normal. And when this happens, your My Art Of The Mix page won't take so long to resolve itself and you'll get your mixes listed a lot faster! :-)

However...if you try to re-submit your older mixes, you may encounter difficulty if they were originally submitted before all those words like KIL-L, BE-GIN, EN-D, AL-TER, the semicolon, etc., got blocked! So if you're going to re-submit older mixes, make sure you put in the appropriate dashes, slashes, stars and/or any appropriate substitutions within their texts so they'll go through!

Anyhoo...well this one's ever so slightly schizo, ain't it?! :-) I must admit, this plays more like a whole bunch of separate sequences that struck me as kind of cool, but which were kind of wedged together like puzzle pieces that didn't quite fit properly! I mean, sure it's okay, I guess...but I can't help thinking that it doesn't quite make up an organic whole. DISC #2 (Side B) especially feels weird - I mean, stringing Carl Palmer, the Manics, Elvis, Bjork, Perry Farrell and John Entwistle in a sequence is pretty freaky to me, never mind anyone else (ha, ha, ha)! But I did put in a lot of effort into making sure the pieces fit reasonably well, so I think perhaps I just pulled it off!

Cat Scratch Fever < Rock You Like A Hurricane - A rather deceptively straightforward, anthemic hard-rocking opening sequence which gives absolutely no indication as to just how freaky things will get down the road! [*wink*]

Angel < Stay (Faraway, So Close!) < House Of Cards - I had long had the idea of putting these three songs together in a sequence, but - at the risk of sounding completely full of it - I must say I surprised even myself at how beautifully this sequence turned out! :-)

Then Came The Last Days Of May / Black Licorice / Peg Leg Peggy - I remember waaaaayy back in my early childhood, I lived with my parents in Oakland, California, and after we moved in my parents gave me a whole bunch of their old records as a kind of housewarming gift. Mind you, I was only like four years old or something at the time, but I was heavily into music, and I remember having records by the Beatles, Led Zeppelin, Yes, The Who, the Moody Blues, and so many others in my collection. And among them were the very first Blue Oyster Cult, Grand Funk's We're An American Band and John Entwistle's solo release Rigor Mortis Sets In! So this represents a major piece of my early childhood!

Feedback: