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Covers - The World of Chuck Berry

Artist Song
Social Distortion  Maybeline  
Johnny Winter  Thirty Days  
John Lennon  You Can't Catch Me  
The Yardbirds  Too Much Monkey Business  
Nina Simone  Brown Eyed Handsome Man  
Electric Light Orchestra  Roll Over Beethoven  
Carlos Santana  Havana Moon  
New Riders of the Purple Sage  School Days  
The Beach Boys  Rock and Roll Music  
Kirby St. Romans  Oh Baby Doll  
The Dave Clark Five  Reelin' and Rockin'  
The Hollies  Sweet Little Sixteen  
The Jimi Hendrix Experience  Johnny B. Goode  
The Animals  Around and Around  
The Rolling Stones  Carol  
The Count Bishops  Beautiful Delilah  
Johnny Rivers  Memphis  
Rod Stewart  Sweet Little Rock 'N' Roller  
The Brian Setzer Orchestra  Run Rudolph Run  
Jerry Lee Lewis  Little Queenie  
David Bowie  Almost Grown  
MC5  Back In the USA  
The Shadows of Knight  Let It Rock  
The Rolling Stones  Don't Lie to Me  
Little Walter  I Got to Find My Baby  
The Rolling Stones  Bye Bye Johnny  
The Remains  I'm Talking About You  
The Rolling Stones  Down the Road Apiece  
Dr. Feelgood  Nadine  
The Rolling Stones  Come On  
Emmylou Harris  [You Never Can Tell] C'est la vie  
Elvis Presley  Promised Land  
George Thorogood & The Destroyers  No Particular Place to Go  
Clifton Chenier  I Want to Be Your Driver  
Rockpile  Oh What a Thrill  

Comment:

When you're such an incredible guitarist, such a pulse-pounding performer, it might get lost on the general public that you're also one of rock's greatest songwriters — but a half-century's worth of musicians know better. If you ever wondered where John Lennon got the idea for "Come Together" — right down to the "flat top, groovin' up" — look no further than Berry's "You Can't Catch Me," which the ex-Beatle retools with a psychedelic twist. While the Rolling Stones took their name from Muddy Waters, they got their first single, "Come On," from Chuck, as Berry disciple Keith Richards lays down a leather-jacket-tough guitar line for Mick Jagger to swagger over. And whether or not Berry's "Brown Eyed Handsome Man" was truly code for "brown [i]skinned[/i] handsome man," Nina Simone fires and inspires with a version lodged midway between Carnaby Street and Birmingham, Alabama, with the cool flame of Black Pride flickering beneath her velvet voice. But don't stop there; from Social Distortion's punked-up rave-up of "Maybeline" to Carlos Santana's starry-skied chill-out in "Havana Moon," pretty much every one of your favorite artists has tried his — or her — luck covering Chuck.
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