Member Since:
6/7/2004
Total Mixes:
9747
Total Feedback:
8
Other Mixes By
itunes
Playlist
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Other Mix
Playlist
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Celebrity Playlist
Playlist
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Celebrity Playlist
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Tom Waits & Crystal Gayle
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Broken Bicycles
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from One from the Heart (Music from the Motion Picture) [Bonus Track Version]
(2004)
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Tom Waits
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Whistlin' Past the Graveyard
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from Blue Valentine
(2008)
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Tom Waits
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Chocolate Jesus
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from Mule Variations
(2006)
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Tom Waits
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Green Grass
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from Real Gone
(2006)
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Tom Waits
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Temptation
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from Frank's Wild Years
(1990)
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Tom Waits
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No One Knows I'm Gone
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from Alice
(2006)
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Tom Waits
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Murder in the Red Barn
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from Bone Machine
(1992)
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Tom Waits
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Straight to the Top
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from Frank's Wild Years
(1990)
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Tom Waits
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Big In Japan
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from Mule Variations
(2006)
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Tom Waits
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On the Nickel
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from Heartattack and Vine
(2008)
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Tom Waits
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Jesus Gonna Be Here
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from Bone Machine
(1992)
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Tom Waits
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Muriel
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from Foreign Affairs
(2008)
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Tom Waits
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Crossroads
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from The Black Rider
(1993)
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Tom Waits
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Coney Island Baby
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from Blood Money
(2006)
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Tom Waits
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Little Trip to Heaven [On the Wings of Your Love]
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from Closing Time
(2008)
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Tom Waits
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Dead and Lovely
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from Real Gone
(2006)
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Tom Waits
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Take It With Me
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from Mule Variations
(2006)
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Tom Waits
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Strange Weather
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from Big Time
(1997)
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Tom Waits
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All Stripped Down
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from Bone Machine
(1992)
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Clark Suprynowitz, Francis Thumm, Joe Gore, Josef Brinckmann, Matthew Brubeck, Mule Patterson, Ralph Carney & Tom Waits
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Good Old World
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from Beautiful Maladies - The Island Years
(1998)
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Tom Waits
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Bend Down the Branches
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from Orphans
(2010)
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Tom Waits
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Pasties and a G-String (At the Two O'Clock Club)
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from Small Change
(2008)
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Tom Waits
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Warm Beer and Cold Women
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from Nighthawks at the Diner
(2008)
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Comment:
Tom Waits’ successful sideline in acting surely owes a lot to the wild cast of characters he inhabits in his songs. Amid the murky, marimba-marinated film-noir feel of “Shore Leave,” he becomes an American sailor on lonesome, lurid leave in China. He takes the title role of his album Frank’s Wild Years all the way to the bottom on “Straight to the Top (Rhumba),” where Frank comes off like a wailing, whiskey-soaked lounge singer with delusions of grandeur. And on “Pasties and a G-String (At the Two O’Clock Club),” he’s a heavy-breathing, hard-drinking, gentleman’s-club regular giving a play-by-play description of the floorshow unfolding before his bloodshot eyes.
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