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12/28/2000
September '00: All around, an excellent mix. There's really nothing here I don't love, and I put this together very, very well. The Carolina Tar Heels and Jilson Setters are both from the Smithsonian A …
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11/27/2000
January '00: A difficult month for me, but I think this is a nicely done, pleasantly diverse collection (although the sound quality is just terrible - I might rerecord this). The transition from the Be …
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11/16/2000
March 1999: Nice -- side one is freakin' incredible, although it takes forever to wind down. Side two has got some great stuff, but it's a little disjointed and the sound quality's not tops. But this i …
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9/12/2000
October 1998: A good one. Lots of new music, although my taste in "new" music is weird. And it's sad without being too sad. Plus, I like the title.
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9/11/2000
May 1998: Really, really good. Accompanied me through some wistful summer afternoons in NYC's Central Park. There's something oddly optomistic about this one.
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9/11/2000
April 1998: A very strange Supermix - some of the longest songs I can find (including the full 17-plus-minute version of "In-A-Gadda-Da-Vida"). Every track is great, but as a whole, this mix doesn't re …
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9/11/2000
February 1998: A return to glory. One of my best mixes ever. It flows so nicely, and the songs are just so good, and it packs such an emotional whallop. Interesting trivia: Out of 32 mixes and nearly 9 …
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9/11/2000
November 1997: An attempt at affirmative action. Bemoaning the fact that I listen to very little music performed by women, I decided to make an entire mix of female artists (or groups in which females …
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9/7/2000
September 1997: I had just left college and moved to New York. So this mix is from a particularly confusing period in my life. It's okay.
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