Artist	Song
Dragonfly	Blue Monday - {Dragonfly}
Dark	Could Have Sworn - {Round The Edges}
Accent	Wind Of Change - {Rubble Vol. 11: Adventures In The Mist}
The Drag Set	Day & Night - {A Perfumed Garden, Volume Two}
Les Sinners	Groovy Time - {Ans le Vent - Garage Psych from Montreal}
The Deep	Turned On - {Psychedelic Moods}
Anonymous	Anonymous / J. Rider - {Inside The Shadow & No Longer Anonymous}
Billy Nicholls	Life Is Short - {Would You Believe}
Relatively Clean Rivers	The Persian Caravan - {Relatively Clean Rivers}
Montage	My Love - {OST - Ultra Violet's Hot Parts}
July	The Way - {July}
Southwest F.O.B.	Rock N' Roll Woman - {Smell Of Incense}
The Children	Help, I'm Lost (The Mind's Eye) - {Rebirth}
Les Baroques	Working On A Tsjing Tsjang - {Pebbles Collection - European: Volume 21+}
Dragonwyck	God's Dream - {Dragonwyck}
Perry Leopold	Serpentine Lane - {Christian Lucifer}
West Coast Pop Art Experimental Band	Buddha - {Volume 2}
Zerfas	Hope - {Fools Paradise}
Geronimo Black	Siesta - {Geronimo Black}
GTO's (Girls Together Outrageously)	The Ghost Chained to the Past, Present, and Future (Shock Treatment) - {Permanent Damage}
Euphoria	Young Miss Pflugg - {A Gift From Euphoria}
Neil Young	Danger Bird - {Zuma}

Comment:

The Psychedelic Muse has been working overtime... Psych-Head-Nod to Orchid for the Zerfas Album and LoFi Jr. for heightening my insatiable need to track down what might just be one of the oddest and strangely satisfying listens I've had in some time. The culprit: G.T.O.'s Permanent Damage - (AMG: by Lindsay Planer) This 17-track aural document is arguably more sociological than musical in nature. Frank Zappa's insatiable curiosity into human behavior - especially with regard to all manner of sexual deviance and the so-called "lunatic fringe" - became the subject of several releases on his ironically titled Straight Records vanity label. However, Permanent Damage (1969) is additionally unique for including an interesting aggregate of late-'60s musical talent, ranging from Monkee Davy Jones to Lowell George. The moniker G.T.O.'s stands for "Girls Together Outrageously," which describes the ragtag group whose stated primary directive was to bed as many pop and rock stars as they possibly could. Such is the subject matter of the vast majority of both the spoken word and musical numbers on the album. As is the case with most Zappa-related projects, the results vacillate wildly between the ridiculous "Miss Christine's First Conversation With the Plaster Casters of Chicago" and "Miss Pamela's First Conversation With the Plaster Casters of Chicago" to the comparatively sublime "Captain's Fat Theresa Shoes," a tribute to Captain Beefheart's odd choice of footwear. Concurrent Mothers of Invention keyboardist Don Preston also contributes a darkly beautiful musical arrangement on "TV Lives." Additionally, there are a few non-musical inclusions, such as "Wouldn't It Be Sad if There Were No Cones?" and "Moche Monster," both of which provide a unique, if not somewhat inspired, perspective into the young ladies' social interactions. While a majority of the G.T.O.'s garnered no further significant successes, the most infamous member to have come through the ranks is Miss Pamela (aka Pamela des Barres), whose tell-all novel I'm With the Band (1987) was an international bestseller.

Oh, here's some trivia about other band members after they disbanded: MISS SPARKY - became an executive at Disney - MISS CYNDERELLA - briefly married musician John Cale

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