Other Mixes By HumbledByHendrix
You Gotta Push and Shove If You Wanna Be Loved
| Artist | Song | |
| Bruce Springsteen | You Can Look (But You Better Not Touch) | |
| Mitch Ryder & The Detroit Wheels | Devil With the Blue Dress On/Good Golly Miss Molly | |
| Chuck Berry | Too Much Monkey Business | |
| The Rolling Stones | Grown Up All Wrong | |
| Bob Dylan | Honest With Me | |
| Richard Thompson | Ain't Gonna Drag My Feet No More | |
| Southside Johnny & The Asbury Dukes | Talk to Me | |
| Creedence Clearwater Revival | Chameleon | |
| The Jimi Hendrix Experience | Crosstown Traffic | |
| The Beatles | Sexy Sadie | |
| George Harrison | Between the Devil and the Deep Blue Sea | |
| Bob Dylan | Temporary Like Achilles | |
| Neil Young | Cowgirl in the Sand (live and acoustic from 4-Way Street) | |
| The Thrills | Old Friends, New Lovers | |
| Jackson Browne | The Birds of St. Marks | |
| Don Henley (covers Warren Zevon) | Searching For a Heart | |
| Peter Gabriel | Sledgehammer | |
| The Police | Be My Girl/Sally | |
| Tom Petty & The Heartbreakers | What Are You Doin' In My Life? | |
| Bruce Springsteen | Born to Run (live and acoustic from Chimes of Freedom EP) | |
Comment:
Hello again. I would apologize for spending the entire night re-vamping my previous mix, but of course everyone here "gets it." :-) I thought I could do better than my previous mix for the girl that had a crush on me and moved up here with her live-in boyfriend. But I still wanted to keep the theme intact - a musical document of the games she plays and the mixed signals flying back and forth. I feel significantly better about the musical and thematic flow of this mix. Anyways, if anyone sees something better about the previous mix that I could incorporate into this one by all means speak up. I love feedback of any kind. Thanks for the comments on the other mix. And by the way, I took the title from a Richard Thompson song that didn't make the final cut.Feedback:
Really this is just a fantastic theme -- all particular and poignant as any necessity says. I highly enjoy and can relate to your artist selection, and who would have thought that those two Bob Dylan songs that (I'd say) get lost in the midst of their source albums, both a couple of the best ever, would make it onto the same mix? I love that Zevon song and Young recording and... well I'm certainly glad Peter Gabriel is there to warp things around his own barber-pole finger a tad. Keep it up!
Oh, yeah: If you're still on the lookout for software to do fadeins/outs with, I've been using Audacity (audacity.sourceforge.net) for a couple years now; I started using it only to fade tracks in and out and I've moved on to, perhaps, quite wilder things (as well as what is, for me now, the absolutely necessary skill of manual volume equalization between tracks on a mix). Good luck with everything -- I hope it all gets straightened out!
Thanks a lot for the suggestion re: Audacity. I downloaded it today and was able to equalize the volume between tracks and make it sound even better. After putting so much time into the mix I'm beginning to wonder if I shouldn't just give her a copy after all...what's the worst that could happen? There's too much good music on here to keep to myself!!!!