Artist	Song
Brad Mehldau Trio	Song-Song
from The Art Of The Trio Volume 3 (1998) Brad Mehldau, piano; Jorge Rossy, drums; Larry Grenadier, bass
Gary Bartz And NTU Troop	Nommo- The Magick Song
from I've Known Rivers And Other Bodies (1973)
Yo La Tengo	Is That Enough
from Fade (2013)
Mazzy Star	Blue Light
from So Tonight That I Might See (1993)
The Sundays	Life & Soul
from Blind (1992)
Laura Marling	Take The Night Off
from Once I Was An Eagle (2013)
Laura Marling	I Was An Eagle
from Once I Was An Eagle (2013)
Antony and the Johnsons	Crackagen
from Another World (2008)
Lavender Diamond	Everybody's Heart's Breaking Now
from Incorruptible Heart (2012)
John Fahey	Variations On The Coocoo
from The Dance Of Death & Other Plantation Favorites (2006)
Sister Marie Knight	Where Shall I Go?
from When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-51 (2013) Visit http://canary-records.bandcamp.com
Peter Gabriel	Don't Give Up
from So (Remastered 2012) (2012) Drums, talking drum, percussion: Manu Katche##, Additional drums: Jerry Marotta, Bass: Larry Klein, Tony Levin, Guitars: David Rhodes, CMI, piano, synth: Peter Gabriel, Piano: Richard Tee, Guest vocals: Youssou N###Dour, Backing vocals: Michael Been, Pete
Sonic Youth	Incinerate
from Rather Ripped (2006)
Sun Kil Moon	Tiny Cities Made Of Ashes
from Tiny Cities (2005)
Gram Parsons	We'll Sweep Out The Ashes In The Morning
from G.P. / Grievous Angel (1973)
Laura Marling	Breathe
from Once I Was An Eagle (2013)
The Men	Turn Your Color
from Campfire Songs (2013)
Southern Sons	I'll Fly Away
from When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-51 (2013) Visit http://canary-records.bandcamp.com

Comment:

I completed something other than regret, my 33rd mix in the modern era, on the 10th of November, and it’s all over the map, but with some pretty strong thematic material running through as well. I especially love the way that Laura Marling excavates on the three tracks from Once I Was an Eagle, which is my favorite album of 2013; the woozy, witchy, R&B-driven silliness of “Nommo (The Magick Song)” (“All praises due to the Black man,” indeed); the light touch of Antony’s “Crackagen”, and the way that John Fahey’s riff on Clarence Ashley’s “The Coo Coo Bird” fits so seamlessly with gospel. I’ve definitely got something other than regret.

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