Il ne ressemble à personne et personne ne lui ressemble. Depuis trente ans, Renaud est à part dans la chanson française, phénomène unique parce qu'artiste unique. Derrière une dégaine d'éternel révolté …

A cult New York club fixture during the era of Studio 54 and Andy Warhol (for whom she was a muse), Grace Jones established herself in the pop culture mainstream as disco gave way to new wave in the ea …

Back in the early '90s, when Andrew, Mike, Phil, and Toby were calling themselves the 4Trax, they performed Curtis Mayfield's "People Get Ready" for a Sony Music executive, and the rest . . . well, you …

Ariel Pink is so gloriously eccentric that we tend to categorise him using the scene labels with which he's associated — freak folk, New Weird America, chillwave — but it's generally best to view these …

Gorgeous, piano-led, lyrically captivating rock is the stock-in-trade for Sydney’s the Whitlams, fronted by Tim Freedman, who has played on despite the deaths of two founding members (Stevie Plunder an …

Like the archetypal Shakespearean fool, Drapht (aka Paul Ridge) injects much of his hip-hop wisdom directly into the funny bone: he's an Oz-side Slim Shady counterpart who tends to douse every syllable …

Er ist seit Jahrzehnten die beständige Größe im deutschen Schlagerzirkus. Roland Kaiser hat seit seinen Anfängen in den 70er Jahren ein Abonnement auf die Spitzenplätze der Charts abgeschlossen.

Marketed as the antic young prince of classical music in the late '80s — complete with Aston Villa scarf and startled hedgehog hair — violinist Nigel Kennedy made the transition from mercurial kid prod …

Even before he joined indie supergroup Broken Social Scene in the early '00s, Toronto's Jason Collett had been round the block a few times. A hometown circuit fixture, he made a name for himself with t …