Artist	Song
Dubstar	Stars (Disgraceful, 1995)
Petula Clark	Windmills Of Your Mind (A Portrait Of Petula, 1969)
The American Analog Set	The Only One (Know By Heart, 2001)
Preston School Of Industry	Driving The Whalebones Home (All This Sounds Gas, 2001)
Turin Brakes	By TV Light (The Optimist LP, 2001)
John Lennon	Imagine (Imagine, 1971)
Mazzy Star	Fade Into You (So Tonight That I Might See, 1993)
Manic Street Preachers	Small Black Flowers That Grow In The Sky (Everything Must Go, 1996)
Rufus Wainwright	Pretty Things (Want One, 2003)
Van Cliburn	Clair de Lune, for piano [Suite Bergamesque No. 3], L. 75/3 (Claude Debussy My Favorite Debussy, 1999)
Francoise Hardy	Il n'y a pas d'amour heureux (Ma Jeunesse Fout Le Coup, 1967)
Cowboy Junkies	Sweet Jane (The Trinity Session, 1988)
Throwing Muses	Snakeface (University, 1995)
Idlewild	Self Healer [acoustic Lamacq live] (Roseability [single], 2000)
Uncle Tupelo	Shaky Ground (March 16 - 20, 1992)
Red House Painters	Have You Forgotten (Songs For A Blue Guitar, 1996)
Sondre Lerche	You Know So Well (Faces Down, 2002)
Ella Fitzgerald	Someone To Watch Over Me (Ella Fitzgerald Sings The George And Ira Gershwin Songbook, 1959)
Morrissey	I Know Very Well How I Got My Name (Suedehead [single], 1988)
Interpol	NYC (Turn On The Bright Lights, 2003)

Comment:

This is the third in the songs-from-the-seventh-floor series and reflects the mood of Sunday evenings, which, I find, can be even more still than the afternoons. The tone of this one is, for the most part, more heavy and melancholy than the other one, because of the dusk of the evening...and the feeling that the weekend is well and truly over. As such there are is also more reliance on rhythm and instruments which are heavier than guitar or piano. Hence the Interpol, which I think is really a beautiful song, and just begged to be the last track. I had room for more tracks, but I felt like I would have been overdoing it, you know? The title is from the Turin Brakes track.

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